Current

Bertien van Manen, an icon of documentary photography, will be honored with an extensive retrospective exhibition in her hometown of Amsterdam at Stedelijk Museum in spring. Coinciding with this large museum show, Robert Morat Gallery is pleased to be able to present a survey show titled “Book Stories” in Berlin.

Throughout her career, renowned Dutch photographer Bertien van Manen (*1942, The Hague) has been known for her publications. Her first two photo books, “One Hundred Summers, One Hundred Winters” (De Verbeelding, Amsterdam, 1994) and “East Wind, West Wind” (De Verbeelding, Amsterdam, 2001), have established her reputation as an artist and uncompromising documentarist; today both are rare, sought-after collectibles on the photobook market. The book project “Give Me Your Image” (Steidl, Göttingen, 2006) led to great international recognition and solo exhibitions at the Museum of Modern Art in New York, the Museum für Gestaltung in Zurich, the Fine Arts Museum in Boston or the Museum Ludwig in Budapest.

Since 2011 van Manen has been publishing exclusively with MACK Books in London. The first book there was titled “Let’s sit down before we go” (Mack Books, London, 2011), followed by “Easter and Oak Trees” (Mack Books, London, 2013), “Moonshine” (Mack Books, London , 2014), “Beyond Maps andAtlases” (Mack Books, London, 2016) and “I will be Wolf” (Mack Books, London, 2017).

The exhibition includes individual images and work contexts from all published series and aims to provide an overview of over 25 years of photographic work and in particular to underline the influential role of Bertien van Manen as a photobook artist.

Upcoming

Borders are a means of separation. They separate two sides, defining a here and a there. But they also delineate what lies within the boundaries, instilling a sense of safety and security. Although they implicitly stake a claim to permanence, nothing is as changeable as boundary lines. So it is ironic that people and entire nations should develop so much pride and protectionism on the basis of existing borders, while they are artificial constructs that are constantly changing and sometimes disappearing altogether.

– Roger Eberhard

“Human Territoriality” is a selection of Roger Eberhard’s photographs of former border regions around the globe and down through the course of human history. Some of these borders have shifted over time, by only a few hundred meters or much more, due to climate change or man-made changes in the landscape, others have vanished with the fall of mighty empires on either side. Eberhard’s photographs, supplemented by in-depth captions, help us to grasp the protean puzzle of the world’s cartography. In a time of mass migration, border walls and spreading nationalism, they reveal the inherent instability of these man-made demarcations.

Works by Roger Eberhardt (*1984 Zürich, Switzerland) are exhibited internationally and found in important collections, both public and private. He lives and works in Stallikon (CH) and in Berlin. Former book publications include
“Standard” (Scheidegger & Spiess, Zürich, 2016), “Norma” (Peperoni Books, Berlin, 2013) and “Wilted Country” (Scheidegger & Spiess, Zürich, 2010). The book to the series “Human Territoriality” is published by Edition Patrick Frey, Zürich, 2020.

Robert Voit The Alphabet of New Plants

Archive Berlin 2016 - 2010

Ron Jude Lick Creek Line
Orri Interiors
jedentag Fotografische Alltagsbeobachtungen von Andy Sewell, Peter Puklus und Peter de Ru
SCHWARZWEISS Zeitgenössische Positionen in der Schwarz-Weiß-Fotografie
2007
Okko Oinonen On Top of The Iceberg. Intellectual Exiles
fotoform Deutsche Fotografie der 50er Jahre
Enver Hirsch Menschen Tiere Sensationen
2006
Andy Scholz Fotografie 2002-2006
Wolf Böwig Fotoarbeiten 1995-2005
2004
Michael Melcer Milch and Hering Jewish Food Shops in New York

Archive Hamburg 2016 - 2004

Past